I love monsoon weeks

“It is one of the perils of our so-called civilized age that we do not yet acknowledge enough, or cherish enough, this connection between soul and landscape- between our own best possibilities, and the view from our own windows. We need the world as much as it needs us, and we need it in privacy, intimacy, and surety. We need the field from which the lark rises bird that is more than itself, that is the voice of the universe: vigorous, godly joy. Without the physical world such hope is: hacked off. Is: dried up. Without wilderness no fish could leap and flash, no deer could bound soft as eternal waters over the field; no bird could open its wings and become buoyant, adventurous, valorous beyond even the plan of nature. Nor could we.”

Mary Oliver, Long Lives p. 91

pp. 90-91

"And here I build a platform, and live upon it, and think my thoughts, and aim high. To rise, I must have a field to rise from. To deepen, I must have a bedrock from which to descend. The constancy of the physical world, under its green and blue dyes, draws me toward a better, richer self, call it elevation (there is hardly an adequate word), where I might ascend a little where a gloss of spirit would mirror itself in worldly action. I don't mean just mild goodness. I mean feistiness too, the fires of human energy stoked; I mean a gladness vivacious enough to disarrange the sorrows of the world into something better. I mean whatever real rejoicing can do! We all know how brassy and wonderful it is to come into some new understanding. Imagine what it would be like, to lounge on the high ledge of submission and pure wonder. Nature, all around us, is our manifest exemplar. Not from the fox, or the leaf, or the drop of rain will you ever hear doubt or argument."

pp. 92-3

Carrying The Snake To The Garden

In the cellar

was the smallest snake

I have ever seen.

It coiled itself

in a corner

and watched me

with eyes

like two little stars

set into coal,

and a tail

that quivered.

One step

of my foot

and it fled

like a running shoelace,

but a scoop of the wrist

and I had it

in my hand.

I was sorry

for the fear,

so I hurried

upstairs and out the kitchen door

to the warm grass

and the sunlight

and the garden.

It turned and turned

in my hand

but when I put it down

it didn't move.

I thought

it was going to flow

up my leg

and into my pocket.

I thought, for a moment,

as it lifted it's face,

it was going to sing.

And then it was gone.